The Art of Italian Cinematography and Beyond

The Art of Italian Cinematography and Beyond

Alberto Marchiori

Born in Vicenza, he moved to Rome in 2001 to study as a director of photography and camera operator at Cinecittà. After 15 years of experience in the photography department on sets with directors such as Marco Bellocchio, Matteo Garrone, Giorgio Diritti, Daniele Vicari, Pupi Avati, and Emma Dante, he began working as a director of photography, splitting his time between Italy, Brazil, and England. After Velma by Piero Tomaselli (2009), in 2016 he worked on the cinematography for the short film The Silence by Ali Asgari and Farnoosh Samadi (Members of the Academy Awards), which was selected for the official competition at the Cannes Film Festival. In 2018, he shot the short Delay by Ali Asgari, selected among others at the Los Angeles Film Festival and in competition at the Manaki Brothers Film Festival, a festival dedicated to directors of photography, Youtopia by Berardo Carboni (2018), L’età imperfetta by Ulisse Lendato (2018), Diminuta by Bruno Saglia (2018), and I delitti del Barlume by Roan Johnson and Milena Cocozza (2023).

Second unit DP:

Rosanero directed by Andrea Porporati and Franco Angeli (2022)
La Befana vien di notte 2 – Le origini directed by Paola Randi and Nicola Guaglianone (2021)
Extravergine directed by Roberta Torre (2021)