The Art of Italian Cinematography and Beyond

The Art of Italian Cinematography and Beyond

Gherardo Gossi

Born in Turin, his passion for photography and cinema led him to debut with director Guido Chiesa, collaborating on several films including Il partigiano Johnny, Lavorare con lentezza, and Io sono con te. He also has a strong partnership with director Daniele Vicari, working together on films such as Velocità massima, Diaz – Don’t Clean Up This Blood, and Orlando, as well as documentaries like Il mio paese, Feila, il mio dio vivente, and the TV series L’alligatore, created with Emanuele Scaringi. He also handled the cinematography for Scaringi’s debut film La profezia dell’armadillo. Over the years, he has collaborated with others including Daniele Gaglianone (for I nostri anni, Nemmeno il destino, and Ruggine), Emma Dante (Via Castellana Bandiera and Le sorelle Macaluso), Francesco Amato (18 regali, Filumena Marturano, and Santocielo), and Domenico Procacci for the TV series Una squadra. With Luca Pellegrini, he has just completed the TV film Marconi. In the field of video art, he collaborated with the Masbedo on their debut film Arsa. He continues to cultivate his passion for still photography.

He was nominated for the Nastri d’Argento for cinematography on Via Castellana Bandiera by Emma Dante, Come il vento by Marco Simon Puccioni, Il passato è una terra straniera by Daniele Vicari, and Lezione 21 by Alessandro Baricco. He was also nominated for the David di Donatello for cinematography for Diaz – Don’t Clean Up This Blood and Le sorelle Macaluso.

He won the FICE 2012 award for Best Cinematography for Diaz – Don’t Clean Up This Blood and Ruggine, and the BIFEST 2014 award for Best Cinematography for Come il vento.